Narrative: Disrupting TV

Each narrative page (like this) has a page describing and evaluating the narrative, followed by all the posts on the site tagged with that narrative. Scroll down beyond the introduction to see the posts.

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    Big TV Networks Trash Google and Facebook While Aping Their Techniques (May 19, 2017)

    I’ve been watching the news from the recent TV upfronts and waiting for the definitive article that summarizes what’s been said and done, and while I’m not convinced this is it, it does a good job of characterizing the basic trends at issue. The two big underlying trends are the continuing decline of live linear viewing of traditional TV and the massive growth of online advertising, which could be presumed to have put an enormous dent in TV ad spending but actually haven’t. However, the TV companies still see online advertising platforms as a big threat, and spent an unusual amount of time during the upfronts trashing Facebook and Google (though mostly not by name) while talking up their own massive reach. At the same time, though, these companies are increasingly mimicking the very same things that make Facebook and Google’s ad platforms attractive: detailed targeting of ads and tracking of what happens after viewers see them. At the same time, the TV networks seem somewhat lost on the content side, rebooting old shows and formats, latching onto new gimmicks like live musicals, and generally showing a lack of imagination in protecting and rejuvenating their brands. Meanwhile, the strongest audiences on traditional TV are live sports fans and older generations watching procedural franchises like CSI and NCIS. And of course the big online platforms are investing in lots of both traditional sports content and some new formats of their own. Therefore, though each side would like to paint itself as providing unique value, the two are increasing converging on a similar set of content and ad capabilities, while the audience continues to shift from traditional linear TV to a host of online and streaming alternatives, which will inevitably pull ad dollars that way too.

    via LA Times

    Facebook Signs Deal for 1500 Exclusive and 5500 Total Hours of Live E-Sports Video (May 19, 2017)

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    Facebook to Stream 20 MLB Games on Friday Nights in 2017/8 Season (May 18, 2017)

    Twitter already has a deal with Major League Baseball to stream some games, and now it appears Facebook has a similar arrangement. The latter will broadcast 20 Friday-night games throughout the season. Given other recent deals for major sports, including Twitter’s last year for Thursday night NFL games, that might sound like a lot, but of course there are 30 teams in the MLB, each of which plays 162 regular season games, which means that including the postseason there are nearly 2500 games in total each year, so Facebook will air less than 1% of the total. And I’m guessing Friday night games have among the lowest viewership of any games, so this feels like a low-risk proposition for MLB and an experiment at best for Facebook. For viewers, too, the chances that Facebook will be showing the one game your team is playing in any given Friday night will be slim. But this feels like a good step for Facebook as it both scales up its live broadcast offerings and feels out what the audiences will be like for sports on Facebook.

    via FT

    Amazon Fire TVs Announced by Westinghouse at CES Go on Sale (May 16, 2017)

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    Facebook Gearing Up To Launch Original Video Content in June (May 5, 2017)

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    ★ YouTube Announces Six New Original Content Series For Its Free Service (May 4, 2017)

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    Facebook Hiring For Original Video Content Roles (May 4, 2017)

    Facebook has a job opening on its site for a “Film Producer”, and the description for the role talks about “motion picture content” in a way that makes it sounds like this person is being hired to make movies. On the face of it, that’s an odd thing to do: movies aren’t made by in-house producers, they’re made on an ad hoc basis using the filmmakers (directors, producers, cinematographers, writers etc.) who make sense for a particular project, so if you’re looking to make original content you hire people good at commissioning it, not the people who actually make it. However, the detail of the posting makes it seem as though what this person will be responsible for creating probably isn’t movies for consumption by Facebook’s audience. I think Facebook means video where it says either film or motion picture, especially as it talks about “shareable content”, and a 90-minute movie is not overly shareable. I actually wonder whether this person will be creating content for internal use or to promote Facebook to its audience rather than to be enjoyed by the audience as entertainment. But Facebook’s earnings call this week reinforced the idea that Facebook is getting more serious about creating and seeding video content on the site to boost its video ad revenues, which are very dependent on longer-form video.

    via CNBC

    HBO Will Pull Shows from Amazon Prime After Next Year (May 3, 2017)

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    ★ Hulu Launches Live TV Offering With 50 Channels, Ads, Limited DVR (May 3, 2017)

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    YouTube and Netflix Dominate Teens’ Video Viewing (May 2, 2017)

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